摘要：唐朝是中国最鼎盛的朝代之一，拥有繁荣的经济和文化。唐诗是中国文化中宝贵的财富，很多外国读者渴望能够了解它们。但是由于语言方面的障碍，外国读者只能通过阅读翻译才能欣赏唐诗之美。唐诗中有很多意象，而大部分表达的意义并不是字面意思，需要在翻译中尽可能传达出意象的深意，这样才能全面表达唐诗的情感。为了探究意象的翻译，本论文比较了许渊冲翻译的《唐诗三百首》和Peter Harris翻译的《唐诗三百首》。通过比较可以看出，许渊冲先生倡导的“三化论”能够指导诗歌意象的翻译。本文作者通过比较两位译者对意象的处理方法，总结出更好的意象翻译方法，以便于更好地翻译唐诗意象。

关键词：意象翻译；三化论；唐诗

TABLE OF CONTENTS

ABSTRACT

摘要

Chapter One Introduction-1

1.1 Significance of the study-1

1.2 Structure of the thesis-1

Chapter Two Literature Review-2

Chapter Three Difficulties in Translating Images in Tang Poems-4

3.1 Meaning of Image in Chinese and Western Culture-4

3.2 Some difficulties in translating images in Tang poems-6

Chapter Four Two Case Studies of Image Translation-8

4.1 Introduction to Xu Yuanchong and Peter Harris-8

4.2 Case study of Xu Yuanchong-8

4.3 Case study of Peter Harris-10

Chapter Five Principles of Image Translation-Equalization, Particularization, Generalization-12

5.1 Equalization-12

5.2 Particularization-12

5.3 Generalization-13

Chapter Six Conclusion-15

6.1 Conclusion of each chapter-15

6.2 The further development of image translation study-15

REFERENCES-16

ACKNOWLEDGEMENTS-17